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You make a valid point anthropology wise. Can you think of a time where magic being fundamentally unknowable like you said was narratively satifying?

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See, when I was thinking of a soft magic plot I honestly first hit on like slipstream scifi. Moeibious kinda stuff. Where I can’t myself feel any magic about the world I can about the universe. Magic? Bullshit. Le Incal? A magic pyramid fought over by the technopriests with unknowable magic powers? Obviously plausable and emotionally relevant.

So there is a synthesis here. As star treck is that same science fantasy kidna setting.

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