Martin Scorsese is urging filmmakers to save cinema, by doubling down on his call to fight comic book movie culture.
The storied filmmaker is revisiting the topic of comic book movies in a new profile for GQ. Despite facing intense blowback from filmmakers, actors and the public for the 2019 comments he made slamming the Marvel Cinematic Universe films — he called them theme parks rather than actual cinema — Scorsese isn’t shying away from the topic.
“The danger there is what it’s doing to our culture,” he told GQ. “Because there are going to be generations now that think … that’s what movies are.”
GQ’s Zach Baron posited that what Scorsese was saying might already be true, and the “Killers of the Flower Moon” filmmaker agreed.
“They already think that. Which means that we have to then fight back stronger. And it’s got to come from the grassroots level. It’s gotta come from the filmmakers themselves,” Scorsese continued to the outlet. “And you’ll have, you know, the Safdie brothers, and you’ll have Chris Nolan, you know what I mean? And hit ’em from all sides. Hit ’em from all sides, and don’t give up. … Go reinvent. Don’t complain about it. But it’s true, because we’ve got to save cinema.”
Scorsese referred to movies inspired by comic books as “manufactured content” rather than cinema.
“It’s almost like AI making a film,” he said. “And that doesn’t mean that you don’t have incredible directors and special effects people doing beautiful artwork. But what does it mean? What do these films, what will it give you?”
His forthcoming film, “Killers of the Flower Moon,” had been on Scorsese’s wish list for several years; it’s based on David Grann’s 2017 nonfiction book of the same name. He called the story “a sober look at who we are as a culture.”
The film tells the true story of the murders of Osage Nation members by white settlers in the 1920s. DiCaprio originally was attached to play FBI investigator Tom White, who was sent to the Osage Nation within Oklahoma to probe the killings. The script, however, underwent a significant rewrite.
“After a certain point,” the filmmaker told Time, “I realized I was making a movie about all the white guys.”
The dramatic focus shifted from White’s investigation to the Osage and the circumstances that led to them being systematically killed with no consequences.
The character of White now is played by Jesse Plemons in a supporting role. DiCaprio stars as the husband of a Native American woman, Mollie Kyle (Lily Gladstone), an oil-rich Osage woman, and member of a conspiracy to kill her loved ones in an effort to steal her family fortune.
Scorsese worked closely with Osage Principal Chief Geoffrey Standing Bear and his office from the beginning of production, consulting producer Chad Renfro told Time. On the first day of shooting, the Oscar-winning filmmaker had an elder of the nation come to set to say a prayer for the cast and crew.
Huh, I remember reading his critique around when Endgame was coming out and thought he just didn’t get it.
Now, after years of the shit the MCU has been pushing out, I see he was ahead of our time.
It’s been that way for a loooong time.
Movies became so expensive to produce that studios can’t finance them themselves.
So they turned to the banks.
Banks are by nature risk averse.
So a production company has to submit an application to their bank’s movie financing department like you would when applying for a home loan.
The bank decides whether to finance the movie based on the information submitted: Script, subject matter, director, which stars have committed to the project, etc.
Now if you imagine, people from the banking industry are not artists and creatives and visionaries. They just look at raw investment potential, i.e. Is this proposed production going to pay off the loan with interest?
If there’s any risk, e.g. this has never been done before, or there’s no recognizable franchise branding, or if something could be controversial in a meaningful way, the bank won’t approve the production loan.
So sequels, brand name franchises, with writing committees, are easier to get approvals from the banks, therefore are more likely to make it into production.
That’s why Hollywood doesn’t make daring, experimental, and controversial movies much anymore.
And it’s not just movies.
Hit song analysis systems like Platinum Blue, aka Music XRay, use algorithms to compare new songs to hit songs of the past to rate the chances that they will become hits themselves.
This is why all new songs sound the same and there are so many cover versions.
New songs are scored by hit song analysis system(s) and have to achieve a high score showing how much they resemble previous hit songs before money is allocated for promotion.
People who disparage Marty forget or don’t know that he has been a fierce proponent and heavy financial supporter of film restoration through companies like Milestone Films for more than three decades now. If you ever enjoyed world cinema, the films of Kalatozov, Pasolini, Buñuel, Murnau and many more, there is a decent chance you were able to enjoy them in good quality through the direct efforts of Martin Scorsese and others.
“Because there are going to be generations now that think … that’s what movies are.”
should be understood in this context as well. We owe him so much gratitude for keeping the language of film alive.
I mean, can’t we just have both? On some days I want to see a silly lighthearted action movie and on some days I want to see a heart wrenching story about the deepest darkest recesses of the human mind. It’s not a zero sum game.
Something can be lighthearted or action based and still be interesting film making in contrast to the paint by numbers MCU films and some others.
It’s pure action, but Fury Road is an example of a simple action movie that had thought put into the editing, cinematography, etc. Barbie is light hearted but similarly had some ideas to play with.
What a coincidence that he’s got a movie that’s “fighting back” *checks watch* oh right about now! 🙄
Not only is this ridiculous (and untrue) fearmongering about the death of “real cinema” from an old man scared for his own relevance, it’s such blatant self-promotion it’s sickening. Dude would be better served being silent and maintaining his (admittedly deserved) reputation and prestige in the art form instead of tarnishing it with foolish declarations like this.