Just nakedly evil, destroying the planet to line the pockets of a minuscule handful of abject psychopaths and calling it ‘investment in our future’. Joe Biden has betrayed or abandoned literally every promise he made during his campaign, but his environmental policy has been particularly disastrous, characterized by deregulation, the expansion of drilling, fracking, and refining, and the neutering of the NEPA to allow for massive contamination of wetlands and other protected areas.

I got a brief but good look at a wild Jaguarundi in south Texas nearly twenty years ago. I thought it was a bobcat at first, but it turned so I could see its tail and profile, and there was no mistaking it.

This is what it is like to live under Fascism. It’s been like this the whole time, but for the first time in history the victims of genocide are able to broadcast their lived reality directly to the Western populace, largely via TikTok, and that makes maintaining the facade that the ‘Liberal, Rules-Based World Order’ is anything other than the continuation of violent imperialism much harder.

I dig RLM, and I like seeing what they thought of movies I’ve already watched, so I’ll definitely give that one a view once I track down the next few in the series.

Ha! I’m glad you appreciated it :-)

Thanks, I’ll be posting them here, as well as to my Letterboxd and a few other forums. If you haven’t read them already, you can find my reviews of the other Halloween movies (and others) here.

I’m watching them all before the 31st. I am prepared for the high-water mark to be behind me at this point. I remember enjoying H20, but I saw it so long ago that that impression means nothing. I’ve heard good things about the most recent reboot trilogy, but I’ll have to make it through Rob Zombie-land before I get there.

It’s a shame they don’t use this song in the film. Most likely due to how much this one leans into the 1980’s techno-thriller tropes, using such an iconic 60’s song might have clashed with that theme, although I’m sure a good director could do it in a way that worked.

I’ve been giving this some thought (far more than it actually merits, but that’s what I’m here for) and I realized that I don’t know how Michael knows that Laurie is his sister. She was two years old when he killed Judith, so there’s no way he recognized her (discounting a supernatural connection, which would be a totally valid explanation in this series) at 17. In the intervening time, he clearly learned some things about the world (like how to drive, and what Samhain means) but I think it would be very strange if Dr. Loomis were telling him anything about his family, at least after the first few years of their relationship, given the way that Loomis talks about Michael. So he should have no idea that his parents are dead, or that Laurie was adopted by another family in Haddonfield. In fact, we don’t know for sure that Laurie is even the same name he knew her by. She was adopted at four, but I can imagine the adoptive parents changing her name to try and shield her a bit from the notoriety of her birth family.

So, Michael shows up at his childhood home, ready to finish the job he started fifteen years earlier, but finds it empty, something he probably never even considered. Then, a girl about the same age as his remaining sister would be, who another person calls Laurie within his hearing (assuming this is actually her birth name here), just happens to turn up on the house’s doorstep? I think he decided in that moment that Laurie was his sister, and that he was going to kill her, completely absent any hard evidence to back that conclusion up. He happened to be right, but that’s probably down to Fate or some bullshit, not any actual knowledge that Michael possessed. From there, the only other people he kills in the first movie are canoodling teenagers, which is what (apparently) set him off in the first place, and he uses them to make a shrine to Judith, which makes me think their murders were really just auxiliary crimes, subordinant to his true goal of offing Laurie and making her the centerpiece of his Idol.

In any case, I no longer know whether this plot element makes any sense at all, but I’m pretty sure I need to just move on to the one without Michael, to wipe my brain clean and smooth again.

I’m happy to have it in my collection for completeness’ sake, but yeah, it does not leave you feeling good about yourself afterwards (or at any point during, really). The closest thing I can compare the experience to is Requiem For a Dream, which I love, but very rarely re-watch because of just how gross and bad it makes me feel. Requiem is by far the superior film though, and actually worth an occasional revisit.