Charlie “Bird” Parker was one of the wonders of 20th-century music. During his troubled 34 years on earth, he changed the course of jazz history. Yet nothing is simple about the life of this drug-ravaged, volatile genius; even the inspiration for the saxophone maestro’s famous nickname is shrouded in folklore.

Charles Christopher Parker Jr was born on 29 August 1920 in Freeman Avenue, Kansas City. Parker’s upbringing was difficult. His father Charles was a drunken gambler – and a pimp, according to Parker’s third wife – who left the family home when Parker was nine and was subsequently stabbed to death in a fight when his son was still a teenager. Parker did, at least, inherit a love of music and from the age of 12, was hanging out in the alleyways behind the nightclubs lining Kansas’s 12th Street, trying to hear a jam session or catch a glimpse of his saxophone hero Lester Young.

Parker’s life has been thoroughly mythologised, including the time in 1936 when he got his chance to sit in on one of the famous jam sessions with Count Basie’s band at the Reno Club. According to legend, the 16-year-old’s error-ridden solo so infuriated Jo Jones that the drummer hurled a cymbal at Parker.

Parker was a highly influential soloist and leading figure in the development of bebop, a form of jazz characterized by fast tempos, virtuosic technique, and advanced harmonies. Parker was an extremely fast virtuoso and introduced revolutionary harmonic ideas into jazz, including rapid passing chords, new variants of altered chords, and chord substitutions. Primarily a player of the alto saxophone, Parker’s tone ranged from clean and penetrating to sweet and somber. He was known for the very clear, sweet and articulate notes he could produce from the saxophone.

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Can someone explain to me why I shouldn’t be worried about AI replacing drawers and illustators? I got the vibe that most lefty types aren’t very concerned about it and I wish I knew why. Isn’t people seeing art as less valuable because they can just go online and click a button for it, pretty much objectively bad? Do we really want to make a society where people are discouraged from doing meditative activities like painting and sketching? Isn’t the act of illustration by itself a big portion of the self-expression inherent to the art form? Why are techbros so smug about economically crushing an entire aspect of human existence?

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still need operators for the technology & integration in a project. some really cheap bad products will probably get made with skeleton crews using AI but a lot of the utilization will probably be making drudgery faster so artists can focus on the bits an AI can’t do.

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11 points

It’s a tool that an illustrator may use, and quite limited and stupid for being called intelligent. It’s not going to be more impactful than some of the better functions in Photoshop.

So it’s like just like any incremental productivity improvement due to automation. Socialists usually like to think this is unavoidable and a great opportunity for everyone to work less. Under socialism that is, which you know, definitely will win.

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6 points

eh because it relies on the information of human work to produce said art in the first place, it kinda can’t exist in the first place without a humans work to begin with, and we’re not even talking about how a large swaths of artists would respond to seeing there are stolen for copyrighted work in the future

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It’s already begun being used for illustrations to stories on media websites.

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5 points

I like that I can better find/provide/articulate tattoo ideas to an artist, but that’s like my only use case for either tbh

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I did something similar with early (to me) image creation neural nets when contracting a graphic designer for a project about 5 years ago. Fed it some album art and the sketch of the logo we had as input data. Was mildly useful.

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Hey, this is a systemic issue, not an individual one. If someone wants to use AI for their own project then I think they should be empowered to do so.

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7 points

I think it’s an excellent example of bad, destructive automation. The products are going to be worse and the technology will be used to drive more worker exploitation.

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I hope this statement doesn’t age like milk, but I feel like AI couldn’t recreate real emotion and talent the way a human artist could. AI art can be really impressive, but humans create amazing emotion-fuelled art.

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8 points

I feel like AI couldn’t recreate real emotion and talent the way a human artist could

Yeah, but it’ll be close enough that the soulless corporate ghouls who are already making movies based on what an algorithm spits out won’t care. The treats will be tasteless and bland, but they’ll be the only treats you can get.

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This is my point basically, human art will still exist but “good enough” is enough to replace the majority of artists.

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But my concern is that the average capitalism-human will not care about that emotion, and, from a material perspective, all of the people who thrive off of expressing that emotion will be in an even worse economic position than before.

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Not to sound like a music snob, but look at the good chunk of pop music that’s churned out by corporate music factories. It’s super cliché, soulless, and it’s bought up by the masses - but that doesn’t stop other artists from creating masterpieces of emotion and soul. Real art will never die out, because it’s one of the only ways many people can truly express themselves.

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2 points

if people find self fulfillment they aren’t going to stop doing something they love. and most people aren’t doing particularly unique art rn, so ai being able to imitate it shouldn’t matter too much

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I know that automation of it is good, but there are plenty of good things that capitalists turn into bad things…

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