I know this site generally has an ambivalent-to-negative view of Picasso (for plenty of good reasons), but I had no idea he made an antiwar painting that referenced american atrocities in Korea. Just another example of how that conflict has been forcibly memory-holed in this hemisphere.

Here’s an excerpt from the Picasso museum regarding the work’s reception:

Picasso takes sides with the innocent in the painting, as he had done in the Guernica during the Civil War, but the work did not please anyone at the time. It upset the leaders of the French Communist Party, of whom Picasso was a militant, who considered the aesthetics of the painting too far removed from socialist realism. And obviously because of its theme, it came as a complete shock in sectors of international criticism, close to American museums like the MOMA in New York. “Although nobody likes it, it is something, isn’t it?”, said Picasso.

Just another example of how that conflict has been forcibly memory-holed in this hemisphere.

Like the US giving apartheid South Africa P-51 Mustang ww2 fighter jets to help them invade Korea. Saw the shot up canopy of one in a local museum.

permalink
report
reply
26 points

In the lead up to the Iraq war, a reproduction of Picasso’s Guernica, which had stood beside the entrance to the UN security council, was covered with a blue sheet. It seems obvious in retrospect, that we need not be reminded of the horrors of aerial bombardment in advance of just such a program.

permalink
report
reply
23 points

Although nobody likes it, it is something, isn’t it?

:lt-dbyf-dubois: energy

permalink
report
reply
20 points

I like that the imperialists are depicted as twisted demons utilizing sci fi technology. Fun fact: the alien invasion genre was literally invented by HG Wells going “what would it be like to be invaded by the British?”

permalink
report
reply
9 points

I thought that was a common mode of fiction back then, the fear of being invaded by Europeans and becoming an overtaxed province of a distant empire. It’s what powered the Brexit movement.

permalink
report
parent
reply
20 points

Wasn’t he a communist? Not that I care considering who he is outside of his art, but it’s just another example of famous people’s socialist/communist history being erased. They don’t even use it to rail against him and communism as ruining creativity or something lol

permalink
report
reply
19 points
*

my understanding is that he wasn’t a very good communist. and then there’s the quip from Dali:

Picasso is a painter, so am I; Picasso is Spanish, so am I; Picasso is a communist, neither am I

permalink
report
parent
reply
24 points

wasn’t Dali a fascist

permalink
report
parent
reply
23 points

Yes

permalink
report
parent
reply
16 points

probably

permalink
report
parent
reply
12 points

Dali was a sellout

permalink
report
parent
reply
4 points

Yes, which makes the show La Casa de Papel much weirder, because the characters and movement they’re a part of is supposed to be anti-fascist, but they use Dali as their mascot

permalink
report
parent
reply

art

!art@hexbear.net

Create post

A community for sharing and discussing art, aesthetics, and music relating to '80s, '90s, and '00s retro microgenres and also art in general now!

Some cool genres and aesthetics include:

  • outrun
  • vaporwave
  • mallsoft
  • future funk
  • city pop
  • synthwave
  • laborwave

If you are unsure if a piece of media is on theme for this community, you can make a post asking if it fits. Discussion posts are encouraged, and particularly interesting topics will get pinned periodically.

No links to a store page or advertising. Links to bandcamps, soundclouds, playlists, etc are fine.

Community stats

  • 7

    Monthly active users

  • 3.3K

    Posts

  • 16K

    Comments